![]() However, Atlantic Records, who own the rights to ‘Jerk’, said in a statement that Southstar was in the wrong because he “remixed ‘Jerk’ without permission, and then released a version with re-recorded vocals to avoid fully compensating Oliver Tree and his label”. Posting on Instagram following the official release of ‘Miss You’, Southstar alleged that “ Schulz stole my song”. Both tracks share the same name, arrangements, run time and lyrics from Tree’s sombre 2020 hit ‘Jerk’, but while Southstar’s version dropped first, it was ultimately unauthorised (according to Billboard). In October, two versions of ‘Miss You’ peaked in popularity: one by an up-and-coming German producer called Southstar, the other by Tree and DJ Robin Schulz. Making music that reflects this fast-paced style of living hasn’t come without its controversy, however. Music is a mirror of humanity, so no one should be surprised that sped-up music has become popular when you look at the speed in which we’re living.” “This leaves us moving at an incredibly fast pace. “The current state of living in a digital society, with the advent of social media and online dating, is that we’re all quickly swiping to see what’s better,” he says. He believes that the way that younger generations are consuming both music and media explains why they’re so into high-speed music. Tree’s nightcore track ‘Miss You’ took over the dance charts last year thanks to both fan-made and official versions of the song being added to social media sites. They are living entirely different lives in an entirely different world, during an entirely different point in history.” “The music that was the soundtrack of the youth in the ‘60s isn’t going to connect with the youth of 2023 in the same way. “As our world changes and evolves, so does music,” producer, performer and comedian Oliver Tree tells NME. It’s also worth clarifying at this point: what is the big appeal of sped-up tunes? This type of sped-up edit has been coined “nightcore” after the Norwegian DJ duo who were first credited with introducing the sub-genre back in 2010, when they started creating high-octane dance music by speeding up the tempo and shifting up the vocal pitch of existing tracks.īut despite online creators, social media sites and even labels feeling the positive impact of these quick remixes, there are still questions about what the success of these “Sped Up” songs say about the current state of online listening habits and ownership of music, as well as whether fan-created remixes will ultimately have a positive impact on the industry as a whole. Last year, Steve Lacy’s ‘Bad Habit’ and Thundercat’s ‘Them Changes’ both received separate “Sped Up” releases after they each went viral on TikTok, with the former eventually making it to the very top of the US Billboard singles chart in October. ![]() ![]() RAYE’s ode to hedonism is just the latest in a growing list of songs that are enjoying widespread chart and streaming success following the popularity of their subsequent fan-made remixes. The official “Sped Up” iteration of the track, released in November, has also grabbed over 47 million streams on Spotify, making for a combined 170 million streams of ‘Escapism’ - massive numbers for a proudly independent artist who has recognised and utilised the creativity of her fans, going on to then reap the rewards from the type of organic marketing that even huge record labels can’t buy. Multiple quick-paced versions of ‘Escapism’ have been doing the rounds on TikTok since its release and soundtracking over 850,000 fan-made videos, spanning from cleaning tutorials to “get ready with me” confessionals. ‘Escapism’, which features 070 Shake and hooks about “running away from reality as fast as you possibly can”, made a steady climb up the charts following its initial release in October its gradual rise being made possible by social media-made remixes of the track. RAYE started 2023 with a bang earlier this month by bagging her first-ever UK Number One single.
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